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Lateral Screenwriting: Using the Power of Lateral Thinking to Write Great Movies, by Lee A. Matthias
PDF Download Lateral Screenwriting: Using the Power of Lateral Thinking to Write Great Movies, by Lee A. Matthias
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Using the principles of Lateral Thinking for story-telling, author and screenwriter, Lee A. Matthias shows writers how to generate and develop their best ideas for movies and novels.
- Sales Rank: #3941065 in Books
- Published on: 2012-06-07
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.25" w x 6.00" l, 1.61 pounds
- Binding: Paperback
- 500 pages
About the Author
During and after college, Lee Matthias worked as a theater projectionist, theater manager, and film programmer; in public relations; and as a literary agent selling to publishers and producers. He has had a number of magazine articles, one novel, and two “movie-length tales” published, with others on the way. While he’s written several screenplays, so far, his screenwriting has only been optioned. Two heads are better than one, so he keeps a skull on his desk for inspiration (and a second opinion). He is married and the father of two daughters.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Write with your audience in mind indeed ...
By Olaf Weyer
EDIT: Gee, this has been a tough read in places but if you can get through the first chapters you get a better grip on your "writing mind" still motivated by the heart. 5 stars now.
I am not through reading Lateral Screenwriting. But let me tell you, i got the feeling there is pure gold in this book, if only it were so hard to keep an open mind about it. Be prepared that this is written in the most appalling, scientific language you might ever have encountered: Contrived sentences, high brow word usage, where a simple language would have done the job much better and much to complicated built up of arguments, instead of making statements, then explaining them. This is a tiring, tiring read and that's coming from me, who studied cultural sciences at universty, mind you. I can remember having written in a similar style like the author her and my professors hated me for it. And right they were!
Now about the content. This author knows his stuff for sure and there are new approaches here to learn. You can call it "lateral" or whatever you like, this is a book on "originality" and how to achieve it, how to be original. And even despite the language, despite only being so early in the book, i learned some very interesting possible approaches to "story", i am sure, there are more to come, once i am through with it.
For readers, i suggest, get yourself liters of coffee to go through this.
For the writer, i suggest, get yourself another editor, preferably a writer of highly emotional action thrillers. Your book lacks pace and smash cuts. Or simply. Write a another edition of the book entirely, that is less scientific and let this scientific one stand on its own.
Nevertheless: Highly recommended, if you have the patience.
1 of 1 people found the following review helpful.
Amazing
By Dxyz
For those of you with ANY interest in film, “Lateral Screenwriting” is an absolute MUST READ.
This is a book that should be read by everyone studying the art of screenwriting. It is a fascinating book; the depth and breadth of this work is astonishing. In addition, Matthias' philosophical understanding of the process makes this book extremely interesting even if you are not a screenwriter, just an average film viewer.
This is a work that absolutely should be part of any film school's required reading.
0 of 0 people found the following review helpful.
Amazing
By Dxyz
For those of you with ANY interest in film, “Lateral Screenwriting” is an absolute MUST READ.
This is a book that should be read by everyone studying the art of screenwriting. It is a fascinating book; the depth and breadth of this work is astonishing. In addition, Matthias' philosophical understanding of the process makes this book extremely interesting even if you are not a screenwriter, just an average film viewer.
This is a work that absolutely should be part of any film school's required reading.
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